{"id":2839,"date":"2025-08-11T14:24:49","date_gmt":"2025-08-11T14:24:49","guid":{"rendered":"https:\/\/www.izmirtimes.com\/?p=2839"},"modified":"2026-03-13T11:27:06","modified_gmt":"2026-03-13T08:27:06","slug":"sadik-hidayet","status":"publish","type":"post","link":"https:\/\/www.izmirtimes.com\/tr\/sadik-hidayet\/","title":{"rendered":"\u0130ranl\u0131 Yazar Sad\u0131k Hidayet Hakk\u0131nda Bilmen Gerekenler"},"content":{"rendered":"
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Sad\u0131k Hidayet Kimdir?<\/h2>\n

S\u00e2d\u0131k Hid\u00e2yet (18 \u015eubat 1281 – 19 Nisan 1330) \u0130ranl\u0131 bir yazar ve \u00e7evirmendi. Hidayet, modern \u0130ran edebiyat\u0131n\u0131n \u00f6nc\u00fclerinden ve \u00f6nde gelen bir entelekt\u00fceldi . Mohammad Ali Jamalzadeh , Bozorg Alavi ve Sadegh Choubak ile birlikte modern \u0130ran edebiyat\u0131n\u0131n babalar\u0131ndan biri olarak kabul edilir .<\/p>\n

Bir\u00e7ok akademisyen onun K\u00f6r Bayku\u015f adl\u0131 roman\u0131n\u0131 \u00e7a\u011fda\u015f \u0130ran edebiyat\u0131n\u0131n en \u00fcnl\u00fc ve parlak eseri olarak kabul eder. Hedayat en \u00e7ok kurgu eserleriyle tan\u0131nmas\u0131na ra\u011fmen , Zend ve Menasseh gibi antik \u0130ran metinlerinden ve Anton \u00c7ehov , Franz Kafka , Arthur Schnitzler ve Jean-Paul Sartre gibi yazarlardan da eserler \u00e7evirmi\u015ftir. Ayr\u0131ca Orta Fars\u00e7adan (Pehlevi) modern Fars\u00e7aya metin \u00e7eviren ilk \u0130ranl\u0131’d\u0131r.<\/p>\n

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Sad\u0131k Hidayet Nas\u0131l \u00d6ld\u00fc?<\/h2>\n

Hidayet , 19 Farvardin 1330’da 48 ya\u015f\u0131ndayken Paris’te intihar etti ve birka\u00e7 g\u00fcn sonra P\u00e8re-Lachaise mezarl\u0131\u011f\u0131n\u0131n 85 numaral\u0131 parseline g\u00f6m\u00fcld\u00fc<\/strong> . Sad\u0131k Hidayet’in yaz\u0131lar\u0131, hayat\u0131 ve intihar\u0131 hakk\u0131nda yaz\u0131lm\u0131\u015f eser ve makalelerin hacmi, onun \u0130ran entelekt\u00fcel hareketi \u00fczerindeki derin etkisinin kan\u0131t\u0131d\u0131r .\u00a0 Gulamhossein Saedi , Houshang Golshiri , Behram Beyzaei , R\u0131za Ghasemi , Abbas Marouf ve di\u011ferlerine kadar sonraki nesillerden \u00e7ok say\u0131da \u0130ranl\u0131 hatip, Hidayet’in \u00e7al\u0131\u015fmalar\u0131 ve hayat\u0131 taraf\u0131ndan az veya \u00e7ok etkilenmi\u015f ve hakk\u0131nda konu\u015fmu\u015ftur. s\u00e2d\u0131k hid\u00e2yet Vakf\u0131 taraf\u0131ndan d\u00fczenlenen s\u00e2d\u0131k hid\u00e2yet Edebiyat \u00d6d\u00fcl\u00fc , her y\u0131l Fars\u00e7a en iyi k\u0131sa \u00f6yk\u00fcden kurguya kadar olan esere Hidayet Heykelci\u011fi’ni verir.<\/p>\n

\"Sadeq<\/p>\n

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Sad\u0131k Hidayet’in Kendi Yazd\u0131\u011f\u0131 Biyografisi<\/h2>\n

\"Sad\u0131ks\u00e2d\u0131k hid\u00e2yet Kendi biyografimle de Amerikan propagandas\u0131yla ilgilendi\u011fim kadar ilgileniyorum. Do\u011fum tarihimi bilmenin kimseye bir faydas\u0131 var m\u0131? E\u011fer burcumu \u00e7\u0131karmak i\u00e7inse, bu konu sadece kendi de\u011ferlendirmem i\u00e7in olmal\u0131. Bildi\u011finiz gibi, astrologlara defalarca dan\u0131\u015ft\u0131m, tahminleri hi\u00e7bir zaman ger\u00e7ekle\u015fmedi. Okuyucular\u0131n ilgisini \u00e7ekecekse, \u00f6ncelikle onlar\u0131n genel g\u00f6r\u00fc\u015flerine ba\u015fvurmal\u0131y\u0131m, \u00e7\u00fcnk\u00fc kendim \u00f6nyarg\u0131l\u0131 davransayd\u0131m, hayat\u0131m\u0131n sa\u00e7ma ayr\u0131nt\u0131lar\u0131na de\u011fer vermi\u015f olurdum. Dahas\u0131, insan\u0131n kendini ba\u015fkalar\u0131n\u0131n g\u00f6z\u00fcnden yarg\u0131lamaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 bir\u00e7ok ayr\u0131nt\u0131 vard\u0131r ve bu nedenle onlar\u0131n kendi g\u00f6r\u00fc\u015flerine ba\u015fvurmak daha uygun olur. \u00d6rne\u011fin, k\u0131yafetlerimi diken terzi bedenimi benden daha iyi bilir ve yoldan ge\u00e7en kundurac\u0131 ayakkab\u0131lar\u0131m\u0131n hangi taraf\u0131n\u0131n eskidi\u011fini benden daha iyi bilir. Bu tasvirler bana her zaman eski bir yabu’nun sat\u0131\u015fa \u00e7\u0131kar\u0131l\u0131p m\u00fc\u015fteri \u00e7ekmek i\u00e7in ya\u015f\u0131, \u00f6zellikleri ve kusurlar\u0131 hakk\u0131nda y\u00fcksek sesle bilgi verdikleri hayvan pazar\u0131n\u0131 hat\u0131rlat\u0131r. Ayr\u0131ca, biyografimde \u00f6ne \u00e7\u0131kan hi\u00e7bir nokta yok. \u0130\u00e7inde kayda de\u011fer hi\u00e7bir olay yok, unvan\u0131m yok, \u00f6nemli diplomalar\u0131m yok, okulda da parlak bir \u00f6\u011frenci olmad\u0131m; aksine, her zaman ba\u015far\u0131s\u0131zl\u0131kla kar\u015f\u0131la\u015ft\u0131m. \u00c7al\u0131\u015ft\u0131\u011f\u0131m ofislerde her zaman me\u00e7hul ve anonim bir \u00fcye oldum ve \u00fcstlerim bana o kadar d\u00fc\u015fk\u00fcnd\u00fc ki, istifa etti\u011fimde bu co\u015fkulu bir sevin\u00e7le kar\u015f\u0131land\u0131. Sonu\u00e7 olarak, \u00e7evremin hakk\u0131mdaki yarg\u0131s\u0131n\u0131n i\u015fe yaramaz bir \u00fcr\u00fcn\u00fcy\u00fcm ve belki de ger\u00e7ek budur.<\/p>\n

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\"Sad\u0131k<\/h3>\n

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Sad\u0131k Hidayet’in Hak\u0131nda S\u0131k\u00e7a Sorulan Sorular<\/h2>\n

Sad\u0131k Hidayet T\u00fcrk m\u00fc?<\/h3>\n

Sad\u0131k Hidayet, T\u00fcrk de\u011fildir; \u0130ran\u2019\u0131n k\u00f6kl\u00fc ve soylu bir ailesinden gelmektedir. Ancak Osmanl\u0131 d\u00f6neminde \u0130ran ve T\u00fcrkiye aras\u0131ndaki k\u00fclt\u00fcrel ba\u011flardan etkilendi\u011fi, baz\u0131 eserlerinde T\u00fcrk k\u00fclt\u00fcr\u00fcne g\u00f6ndermeler yapt\u0131\u011f\u0131 g\u00f6r\u00fcl\u00fcr.<\/p>\n

Sad\u0131k Hidayet Ateist mi?<\/strong><\/h3>\n

Hidayet\u2019in eserlerinde din ele\u015ftirisi bulunur, ancak kendisinin tamamen ateist olup olmad\u0131\u011f\u0131 konusunda kesin bir kan\u0131t yoktur. Bir\u00e7ok ara\u015ft\u0131rmac\u0131, onun agnostik veya sek\u00fcler<\/strong> bir d\u00fc\u015f\u00fcnce yap\u0131s\u0131na sahip oldu\u011funu belirtir.<\/p>\n

Sad\u0131k Hidayet Ka\u00e7 Ya\u015f\u0131nda \u00d6ld\u00fc?<\/strong><\/h3>\n

s\u00e2d\u0131k hid\u00e2yet , 48 ya\u015f\u0131nda<\/strong> ya\u015fam\u0131na son vererek Paris\u2019te intihar etmi\u015ftir.<\/p>\n

Sad\u0131k Hidayet Dini<\/strong><\/h3>\n

Resm\u00ee olarak \u015eii M\u00fcsl\u00fcman<\/strong> bir ailede do\u011fmu\u015f olsa da, eserlerinde dogmatik dini g\u00f6r\u00fc\u015flere ele\u015ftirel yakla\u015fm\u0131\u015ft\u0131r.<\/p>\n

Sad\u0131k Hidayet Neden \u00d6ld\u00fc?<\/strong><\/h3>\n

s\u00e2d\u0131k hid\u00e2yet , uzun s\u00fcre ya\u015fad\u0131\u011f\u0131 depresyon<\/strong> ve hayata dair umutsuzlu\u011fu nedeniyle Paris\u2019te kiralad\u0131\u011f\u0131 dairede gaz sobas\u0131n\u0131 a\u00e7arak intihar etmi\u015ftir<\/strong>. \u00d6l\u00fcm\u00fc, edebiyat d\u00fcnyas\u0131nda derin bir etki b\u0131rakm\u0131\u015ft\u0131r.<\/p>\n<\/blockquote>\n

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Sad\u0131k Hidayet\u0131n Hayat\u0131<\/h2>\n

Sad\u0131k Hidayet , 17 \u015eubat 1903 \u00c7ar\u015famba g\u00fcn\u00fc Tahran’da do\u011fdu . Babas\u0131 Hidayet Kuli Han ( Etezad el-M\u00fclk , Nas\u0131r el-Din \u015eah d\u00f6neminde Bilim Bakan\u0131 olan Nayyar el-M\u00fclk’\u00fcn o\u011flu) ve annesi Ziyor el-M\u00fcl\u00fck’t\u00fc (Hidayet Kuli Han’\u0131n b\u00fcy\u00fck amcas\u0131, H\u00fcseyin Kuli Mukhbar el-Dawlah’\u0131n k\u0131z\u0131 ).\u00a0 Sad\u0131k’\u0131n b\u00fcy\u00fck amcas\u0131 R\u0131za Kuli Han Hidayet Taberstani\u00a0 , \u00fcnl\u00fc bir Nas\u0131rc\u0131 alim ve Mecma’ el-Fa\u015fa ve Ajmal el-Tevarih gibi kitaplar\u0131n yazar\u0131yd\u0131 . Sad\u0131k, ailenin en k\u00fc\u00e7\u00fck o\u011fluydu ve iki a\u011fabeyi, iki ablas\u0131 ve bir k\u00fc\u00e7\u00fck k\u0131z karde\u015fi vard\u0131. Karde\u015fleri aras\u0131nda, Korgeneral Razm Ara’n\u0131n ba\u015fbakanl\u0131\u011f\u0131 s\u0131ras\u0131nda ba\u015fbakan yard\u0131mc\u0131s\u0131 olarak g\u00f6rev yapan Y\u00fcksek Mahkeme yarg\u0131c\u0131 Mahmud Han da vard\u0131 . Isa Han, t\u00fcmgeneral ve eski Sava\u015f \u00dcniversitesi rekt\u00f6r\u00fcyd\u00fc. Her iki karde\u015f de sanat ve edebiyatla ilgileniyordu. Korgeneral Hac\u0131 Ali Razmara , s\u00e2d\u0131k hid\u00e2yet ‘in kay\u0131nbiraderi olan Enver el-Muluk Hidayet’in e\u015fiydi.<\/p>\n

s\u00e2d\u0131k hid\u00e2yet ilk\u00f6\u011frenimine 1908 y\u0131l\u0131nda 6 ya\u015f\u0131ndayken Tahran \u0130lahiyat Okulu’nda ba\u015flad\u0131 . 1914 y\u0131l\u0131nda okulda Nidai Amat adl\u0131 bir duvar gazetesi \u00e7\u0131kard\u0131 ve orta\u00f6\u011frenimine Dar\u00fclf\u00fcnun Lisesi’nde ba\u015flad\u0131 ; ancak 1915 y\u0131l\u0131nda bir g\u00f6z hastal\u0131\u011f\u0131 nedeniyle okulu b\u0131rakt\u0131 ve 1916 y\u0131l\u0131nda bir Frans\u0131z okulu olan Saint-Louis Okulu’nda okudu.\u00a0 Hidayet’in kendisine g\u00f6re, d\u00fcnya edebiyat\u0131yla ilk tan\u0131\u015fmas\u0131 bu okulda oldu; burada okulun papaz\u0131na Fars\u00e7a \u00f6\u011fretti ve papaz da onu d\u00fcnya edebiyat\u0131yla tan\u0131\u015ft\u0131rd\u0131. Sad\u0131k bu okulda gizli bilimler ve metafizi\u011fe ilgi duymaya ba\u015flad\u0131 . Bu ilgi daha sonra da devam etti ve Hidayet bu konu hakk\u0131nda yaz\u0131lar yay\u0131nlad\u0131. Ayn\u0131 y\u0131l Sad\u0131k ilk makalesini haftal\u0131k bir gazetede ( Nasrallah Falsafi taraf\u0131ndan d\u00fczenlenen ) yay\u0131nlad\u0131 ve \u00f6d\u00fcl olarak \u00fc\u00e7 ayl\u0131k \u00fccretsiz abonelik ald\u0131. Ayr\u0131ca Tarqi dergisiyle de i\u015fbirli\u011fi yapt\u0131 . Sadeq bu d\u00f6nemde vejetaryen ve akrabalar\u0131n\u0131n vejetaryenli\u011fi b\u0131rakmas\u0131 y\u00f6n\u00fcndeki \u0131srar ve tavsiyelerine kulak asmad\u0131. 1924’te, hen\u00fcz lisedeyken hayvanlara kar\u015f\u0131 \u015fefkatle ilgili \u0130nsan ve Hayvan adl\u0131 k\u00fc\u00e7\u00fck bir kitap yay\u0131nlad\u0131 ve 1927’de Vejetaryenli\u011fin Faydalar\u0131 adl\u0131 kitab\u0131 Berlin’de yay\u0131mland\u0131. Hayyam’\u0131n Rubaiyat’\u0131n\u0131n \u00d6mer Hayyam Rubaiyat\u0131 ( Hayyam’\u0131n \u015eark\u0131lar\u0131 kitab\u0131yla kar\u0131\u015ft\u0131r\u0131lmamal\u0131d\u0131r ) ba\u015fl\u0131kl\u0131 bir revizyonu, ayr\u0131nt\u0131l\u0131 bir giri\u015fle birlikte 1923’te Tahran’daki Brokheim K\u00fct\u00fcphanesi ve Yay\u0131nevi taraf\u0131ndan yay\u0131mland\u0131.\u00a0 Sadeq, 1924’te Vafa dergisinin 5-6. say\u0131s\u0131n\u0131n ikinci y\u0131l\u0131nda ” \u00d6l\u00fcm\u00fcnde Bir E\u015fe\u011fin Biyografisi ” adl\u0131 k\u0131sa \u00f6yk\u00fcs\u00fcn\u00fc yay\u0131mlad\u0131 .<\/p>\n

\"s\u00e2d\u0131k<\/p>\n

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Sad\u0131k Hidayet Vejetaryen Miydi?<\/h2>\n

S\u00e2d\u0131k Hid\u00e2yet gen\u00e7li\u011finde vejetaryen oldu ve bu konuda Vejetaryenli\u011fin Faydalar\u0131 adl\u0131 bir kitap yazd\u0131 . Hayat\u0131n\u0131n sonuna kadar vejetaryen kald\u0131. Bozorg Alavi bu konuda \u015funlar\u0131 yaz\u0131yor: “Bir keresinde onu Lalehzar kahvesinde, Rus\u00e7a’da bolki denilen bir k\u00f6fteyi \u0131s\u0131r\u0131rken g\u00f6rd\u00fcm, i\u00e7inde tatl\u0131 oldu\u011funu san\u0131yordu ve aniden g\u00f6zleri k\u0131zard\u0131, aln\u0131ndan ter bo\u015fand\u0131 ve kusmak \u00fczereyken cebinden bir mendil \u00e7\u0131kar\u0131p \u00e7i\u011fnenmemi\u015f lokmay\u0131 i\u00e7ine t\u00fck\u00fcrd\u00fc.”<\/p>\n

\u0130nsanlar\u0131n sava\u015f\u0131 durdurmak istiyorlarsa \u00f6ncelikle hayvanlar\u0131 \u00f6ld\u00fcrmeyi ve yemeyi b\u0131rakmalar\u0131 gerekti\u011fine inan\u0131yordu.<\/p>\n

Kitab\u0131n\u0131n bir b\u00f6l\u00fcm\u00fcnde \u015f\u00f6yle yaz\u0131yor: “Et yemenin vah\u015fete yol a\u00e7t\u0131\u011f\u0131na \u015f\u00fcphe yok. Ahlaki ilerlemeyi ve toplumun ac\u0131nas\u0131 durumunun iyile\u015fmesini arzulayan herkes bu fikri yaymaya \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Terzihaneler, kasaplar, bal\u0131k\u00e7\u0131lar ve k\u00fcmes hayvanlar\u0131 d\u00fckkanlar\u0131 kapat\u0131lsa, bir \u00f6l\u00e7\u00fcde toplumsal bar\u0131\u015f ve insan karde\u015fli\u011fi d\u0131\u015fsal bir bi\u00e7im al\u0131rd\u0131. \u0130nsan\u0131n ahlaki ilerlemesi i\u00e7in, kanl\u0131 yiyeceklerin terk edilmesini ve vejetaryenli\u011fin onun yerini almas\u0131n\u0131 dileyelim. Ger\u00e7ek \u00fcst\u00fcnl\u00fck y\u00fcrekten geliyorsa, ne zor ne de imkans\u0131z olan et yemekten herkes vazge\u00e7melidir. Cehalet, bat\u0131l inan\u00e7 ve korkudan bahaneler uyduranlar\u0131n \u00e7o\u011fu, alay konusu olmamak i\u00e7in vard\u0131r. Ger\u00e7ek \u015fu ki, vejetaryenlik, ger\u00e7e\u011fi bilmeyenler taraf\u0131ndan h\u00e2l\u00e2 alay ve k\u00fc\u00e7\u00fcmseme konusu olmaya devam ediyor; atalar\u0131m\u0131z\u0131n basitli\u011fine ka\u00e7 kez g\u00fcld\u00fck? “Gelecek nesillerin bat\u0131l inan\u00e7lar\u0131m\u0131za g\u00fclece\u011fi g\u00fcn gelecek.<\/p>\n

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Sad\u0131k Hidayet ‘in Avrupa Hareket\u0131<\/h2>\n

Hidayet, 1924 y\u0131l\u0131nda (22 ya\u015f\u0131nda) Saint-Louis Okulu’ndan mezun oldu ve bu y\u0131l Taghi Razavi ile tan\u0131\u015ft\u0131. 1926’da, yurt d\u0131\u015f\u0131na g\u00f6nderilen ilk \u00f6\u011frenci grubuyla Bel\u00e7ika’ya gitti ve saf matematik e\u011fitimi ald\u0131 . Ayn\u0131 y\u0131l, Almanya’da yay\u0131nlanan Iranshahr dergisinin 11. say\u0131s\u0131nda “\u00d6l\u00fcm” \u00f6yk\u00fcs\u00fcn\u00fc yay\u0131nlad\u0131 ve Le Ville de Lis dergisinin 79. say\u0131s\u0131nda Frans\u0131zca “\u0130ran’da B\u00fcy\u00fcc\u00fcl\u00fck” ba\u015fl\u0131kl\u0131 bir makale yazd\u0131. Hidayet, Bel\u00e7ika’daki e\u011fitiminin ve alan\u0131n\u0131n durumundan memnun de\u011fildi ve o d\u00f6nemde Bat\u0131 medeniyetinin merkezi olan Fransa’ya ve Paris’e gitmek istedi . Sonunda, Mart 1926’da alan\u0131n\u0131 de\u011fi\u015ftirip \u00e7ok\u00e7a dola\u015ft\u0131ktan sonra Paris’e ta\u015f\u0131nd\u0131 . Ayn\u0131 y\u0131l, \u0130nsan ve Hayvan kitab\u0131n\u0131n daha kapsaml\u0131 bir versiyonunu ve Almanya , Berlin’de Iranshahr dergisinden H\u00fcseyin Kaz\u0131mzade’nin \u00f6ns\u00f6z\u00fcyle Vejetaryenli\u011fin Faydalar\u0131 adl\u0131 ba\u015fka bir kitap yay\u0131nlad\u0131 .<\/p>\n

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Sad\u0131k Hidayet’in \u0130lk \u0130ntihar Giri\u015fimi ve \u0130lk Hikayeler<\/h2>\n

Bu foto\u011fraf, Sadegh Hedayat’\u0131n Paris’teki ilk ba\u015far\u0131s\u0131z intihar giri\u015fiminin ard\u0131ndan, 1307’de \u0130sa Hedayat’\u0131n Paris’teki evinde \u00e7ekildi.<\/p>\n

1928’de s\u00e2d\u0131k hid\u00e2yet , Marne Nehri’nde (Fransa) intihar giri\u015fiminde bulundu, ancak bir kay\u0131k\u00e7\u0131 taraf\u0131ndan kurtar\u0131ld\u0131. Ayn\u0131 d\u00f6nemde Paris’te Therese ad\u0131nda bir k\u0131zla \u00e7\u0131k\u0131yordu. Sad\u0131k, karde\u015fi Mahmud’a intihar\u0131 hakk\u0131nda \u015f\u00f6yle yazd\u0131: “\u00c7\u0131lg\u0131n bir \u015fey yapt\u0131m ama iyi sonu\u00e7land\u0131.” \u0130lk intihar\u0131n\u0131 kimseye a\u00e7\u0131klamad\u0131\u011f\u0131 iddia edildi. Ancak Farzaneh, daha sonra (ilk intihar\u0131ndan y\u0131llar sonra) Hidayet’in intihar\u0131n sebebinin duygusal sorunlar oldu\u011funu s\u00f6yledi\u011fini aktard\u0131.<\/p>\n

Hedayat’\u0131n ilk k\u0131sa \u00f6yk\u00fcleri, ba\u015far\u0131s\u0131z intihar giri\u015fimiyle ayn\u0131 y\u0131l ortaya \u00e7\u0131kt\u0131. Bu d\u00f6nemde Parvin, Sasan’\u0131n K\u0131z\u0131 , Mezarda Ya\u015famak adl\u0131 oyunlar\u0131 ve ” Madeleine ” adl\u0131 k\u0131sa \u00f6yk\u00fcy\u00fc yazd\u0131<\/p>\n

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Sad\u0131k Hidayet ‘in Tahran’a D\u00f6n\u00fc\u015f<\/h2>\n

1920’de e\u011fitimini tamamlamadan Tahran’a d\u00f6nen Hidayet , Merkez Bankas\u0131’nda (muhasebe b\u00f6l\u00fcm\u00fc ve sevk\u0131yat b\u00fcrosunda) \u00e7al\u0131\u015fmaya ba\u015flad\u0131. Ancak i\u015f durumundan memnun de\u011fildi ve Paris’te lisede arkada\u015f oldu\u011fu Ta\u011fi Razavi’ye yazd\u0131\u011f\u0131 bir mektupta mevcut durumundan \u015fikayet etti. Hidayet’in \u00f6l\u00fcm\u00fcnden sonra kendisini tan\u0131tmaya adad\u0131\u011f\u0131 Hasan Gamiyan ile Merkez Bankas\u0131’nda arkada\u015f oldu. Ayn\u0131 y\u0131l Tahran’da Mezarda Ya\u015fayan \u00f6yk\u00fcler kitab\u0131n\u0131 ve Sasan’\u0131n K\u0131z\u0131 Parvin adl\u0131 oyunu yay\u0131nlad\u0131 . Bu y\u0131l Hidayet, Masoud Farzad , Bozorg Alavi ve Mojtaba Minoui ile tan\u0131\u015ft\u0131 ve Rabia Grubu ad\u0131 verilen bir arkada\u015f \u00e7evresi olu\u015ftu .<\/p>\n

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Rabeeh Grubu<\/h2>\n

O zamanlar, Sab’ah yazarlar\u0131 olarak adland\u0131r\u0131lan se\u00e7kin yazar ve edebiyat\u00e7\u0131lardan olu\u015fan bir grup vard\u0131 ve Mojtaba Minoui’ye g\u00f6re, “Fars\u00e7a yay\u0131nlanan her dergi, kitap ve gazete onlar\u0131n eserlerinden yoksun de\u011fildi.”\u00a0 Asl\u0131nda yediden fazla olan bu yedi ki\u015fi\u00a0 aras\u0131nda Mohammad Taqi Bahar , Abbas Iqbal Ashtiani , Rashid Yasemi , Saeed Nafisi , Badi’-o-Zaman Forouzanfar ve Mohammad Kazvini gibi ki\u015filer vard\u0131 . Rab’ah grubu, bu ki\u015filerle (onlar\u0131 eski kafal\u0131 olarak g\u00f6r\u00fcyorlard\u0131) alay etmek i\u00e7in bu ismi se\u00e7ti. Rab’ah grubunun sohbetleri ve toplant\u0131lar\u0131 Tahran’daki restoran ve kafelerde ger\u00e7ekle\u015fiyordu; bunlar\u0131n aras\u0131nda, 1932 civar\u0131nda sad\u0131k hidayet ve arkada\u015flar\u0131n\u0131n tak\u0131ld\u0131\u011f\u0131 Rose Navar \u015eekerleme Kafesi de vard\u0131. Daha sonra, Parviz Natel Khanlari , Abdolhossein Noushin , Gholamhossein Minbashian ve Nima Yushij gibi ba\u015fka ki\u015filer de Rabeeh grubuna kat\u0131ld\u0131. Grup, bu y\u0131llarda edebi ve k\u00fclt\u00fcrel faaliyetlerde bulundu ve birbirleriyle i\u015f birli\u011fi i\u00e7inde bir\u00e7ok eser yay\u0131nlad\u0131. Minovi bu d\u00f6nem hakk\u0131nda \u015funlar\u0131 s\u00f6yl\u00fcyor: “Fanatizmle sava\u015ft\u0131k ve \u00f6zg\u00fcrl\u00fc\u011fe ula\u015fmaya \u00e7al\u0131\u015ft\u0131k ve \u00e7evremizin merkezi s\u00e2d\u0131k hid\u00e2yet ‘ti.”<\/p>\n

1310-1314 y\u0131llar\u0131, Hidayet i\u00e7in verimli bir d\u00f6nem olarak kabul edildi ve bir\u00e7ok ara\u015ft\u0131rma ve kurgu eseri yay\u0131nlad\u0131. Bu eserler aras\u0131nda, \u015e. Parto’nun “Fath Eskander”, Bozorg Alavi’nin “Huc\u00fbm Arab” ve Sad\u0131k Hidayet ‘in “Hamle-e-Mughol” adl\u0131 \u00fc\u00e7 \u00f6yk\u00fcden olu\u015fan Aniran koleksiyonu yer almaktad\u0131r. Bu kitap, Zabih Behruz’a ithaf edilmi\u015ftir . Saye-Ro\u015fan adl\u0131 k\u0131sa \u00f6yk\u00fc koleksiyonu (7 \u00f6yk\u00fc i\u00e7erir), Minovi’nin \u00f6ns\u00f6z\u00fcyle Maziar adl\u0131 oyun ve Masoud Farzad ile birlikte yazd\u0131\u011f\u0131 Mustab -e-Ghogh Sahab adl\u0131 kitap da bulunmaktad\u0131r . (Bu kitap 1313’te yay\u0131mland\u0131 ve 1314’te Hidayet, Tahran Nazmiyesi’ne \u00e7a\u011fr\u0131ld\u0131. Bu \u015fik\u00e2yet, d\u00f6nemin E\u011fitim Bakan\u0131 Ali Asghar Hikmet taraf\u0131ndan do\u011frudan iletildi ve b\u00f6ylece Sad\u0131k Hidayet, \u0130ran sans\u00fcr tarihinde yasaklanan ilk yazarlardan biri oldu.). \u00dc\u00e7 Damla Kan adl\u0131 \u00f6yk\u00fc koleksiyonu ve “Girdap”, “Karajl\u0131 Don Juan”, “Nefesini \u00d6ld\u00fcren Adam”, “Y\u00fczler”, “Changal”, “Laleh”, “Afringan”, “Talb Amrzesh”, ” Mahallel “, “Mordekhorha”, “Arosak Posht Parde” gibi di\u011fer birka\u00e7 \u00f6yk\u00fc, “Alawiyeh Khanum”\u0131n ilk bask\u0131s\u0131 ve “Isfahan Nefs Cihan” seyahatnamesi bu d\u00f6nemde yay\u0131mland\u0131.<\/p>\n

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Sad\u0131k Hidayet ‘in Hindistan’a Seyahat ve K\u00f6r Bayku\u015fun Yay\u0131mlanmas\u0131 ve Geri D\u00f6n\u00fc\u015f<\/h2>\n

Hidayet , 1936’da \u015ein Parto ile birlikte Hindistan’a gitti ve onun dairesinde kald\u0131. Hindistan’da, Fars\u00e7a bilgin (Hint Farslar\u0131ndan) Behram Gur-Ankalsaria’dan Pehlevi dilini \u00f6\u011frendi ve Arde\u015fir Babakan’\u0131n eserlerini Hindistan’da Pehlevi’den Fars\u00e7aya \u00e7evirdi .<\/p>\n

Bombay’da kald\u0131\u011f\u0131 s\u00fcre i\u00e7erisinde Paris’teyken elle \u015fablon ka\u011f\u0131d\u0131na yazd\u0131\u011f\u0131 \u00fcnl\u00fc eseri K\u00f6r Bayku\u015f’u elli n\u00fcsha halinde poligraf makinesinde yay\u0131mlad\u0131 ve bunlar\u0131 dostlar\u0131na g\u00f6nderdi; Londra’da ya\u015fayan M\u00fccteba Minovi’ye birer n\u00fcsha, o s\u0131rada Cenevre’de bulunan Cemalzade’ye de birer n\u00fcsha g\u00f6nderdi. Baz\u0131lar\u0131 K\u00f6r Bayku\u015f hik\u00e2yesinin Hindistan atmosferinden kaynakland\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcr, ancak Hedayat ile Farzaneh aras\u0131ndaki konu\u015fmalardan anla\u015f\u0131laca\u011f\u0131 \u00fczere Hedayat bu eser \u00fczerinde y\u0131llar \u00f6nce \u00e7al\u0131\u015fmaya ba\u015flam\u0131\u015ft\u0131 ve Hedayat’a g\u00f6re eser bo\u011faz\u0131na tak\u0131lm\u0131\u015ft\u0131. kaynak belirtilmeli Hindistan’da yay\u0131mlad\u0131\u011f\u0131 K\u00f6r Bayku\u015f’un poligraf versiyonunda , eserin \u0130ran’da yay\u0131mlanmas\u0131n\u0131n yasak oldu\u011funu yazm\u0131\u015ft\u0131r. Ayr\u0131ca Hedayat, Hindistan’da Frans\u0131zca iki hik\u00e2ye daha yay\u0131mlad\u0131 (“Lunatique” ve “Sampingue”).<\/p>\n

\"sad\u0131k<\/p>\n

Hindistan’a yapt\u0131\u011f\u0131 seyahatten sonra Hedayat ciddi maddi s\u0131k\u0131nt\u0131lar ya\u015fad\u0131 ve Sh. Parto taraf\u0131ndan desteklendi. Toplumun ihmali nedeniyle olu\u015fan bu yoksulluk ve yenilgi, Hedayat’\u0131n hicve y\u00f6nelmesine neden oldu ve bu ac\u0131 hiciv, kalbindeki yaralar\u0131 daha da a\u00e7\u0131\u011fa \u00e7\u0131kard\u0131.<\/p>\n

Hidayet, 1937’de Hindistan’dan Tahran’a d\u00f6nd\u00fc ve Ulusal Banka’daki \u00e7al\u0131\u015fmalar\u0131na devam etti. Ertesi y\u0131l Ulusal Banka’dan istifa ederek K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131’nda \u00e7al\u0131\u015fmaya ba\u015flad\u0131. M\u00fcttefiklerin \u0130ran’\u0131 i\u015fgal etti\u011fi 1941 y\u0131l\u0131na kadar edebi faaliyetlerine devam etti ve bir\u00e7ok \u00f6yk\u00fc ve makale yay\u0131nlad\u0131. Arde\u015fir Babakan’\u0131n kariyerini M\u00fczik Dergisi’nde, Gojesteh Abalish’i (Pehlevi metninin \u00e7evirisi) ise ayr\u0131 ayr\u0131 (\u0130bn Sina Yay\u0131nlar\u0131’nda) yay\u0131nlad\u0131. Buna ra\u011fmen, K\u00f6r Bayku\u015f \u0130ran’da h\u00e2l\u00e2 yay\u0131nlanmad\u0131.<\/p>\n

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M\u00fcttefiklerin \u0130ran’\u0131 \u0130\u015fgali ve Siyasi Alan\u0131n A\u00e7\u0131lmas\u0131<\/h2>\n

1942’de “Sokak K\u00f6pe\u011fi” derlemesini yay\u0131nlad\u0131 ve \u0130ran \u015fehirlerini , \u015e\u00fcphe Raporu’nu ve Jamasp’\u0131n an\u0131s\u0131n\u0131 Pehlevi dilinden Fars\u00e7aya \u00e7evirdi.\u00a0 1945-1947 y\u0131llar\u0131 aras\u0131nda ve II. D\u00fcnya Sava\u015f\u0131’n\u0131n sonunda, Sad\u0131k Hidayet ‘in toplumsal ele\u015ftirileri yo\u011funla\u015ft\u0131. Hepsi toplumsal temalar i\u00e7eren “Hac\u0131 A\u011fa” adl\u0131 uzun \u00f6yk\u00fcs\u00fc , “Hayat Suyu” adl\u0131 k\u0131sa \u00f6yk\u00fcs\u00fc ve “Valangari” derlemesi bu d\u00f6nemde yay\u0131mland\u0131. Bu faaliyetlerine ek olarak, Hidayet ayr\u0131ca edebi ele\u015ftiri makaleleri yazd\u0131 ve \u00e7e\u015fitli yay\u0131nlarda yay\u0131nlanan Kafka’n\u0131n eserlerini \u00e7evirdi . Ayr\u0131ca Pehlevi’nin ba\u015fka bir\u00e7ok eserini de \u00e7evirdi. 1945’te Ta\u015fkent’e gitti ve \u0130ran-Sovyet K\u00fclt\u00fcr Derne\u011fi taraf\u0131ndan onurland\u0131r\u0131ld\u0131.<\/p>\n

Bu d\u00f6nemde, Alavi ve Abdul H\u00fcseyin Nu\u015fin de dahil olmak \u00fczere, Hidayet’in bir\u00e7ok arkada\u015f\u0131 Tudeh Partisi’ne kat\u0131lm\u0131\u015f ve genel olarak Tudeh Partisi ile g\u00f6r\u00fc\u015fmeleri artm\u0131\u015f, hatta Tudeh Partisi’nin yay\u0131n organ\u0131 olan Mardom gazetesinde takma adla yaz\u0131lar yay\u0131nlam\u0131\u015ft\u0131r . Ancak, parti liderlerinin \u0131srarlar\u0131na ra\u011fmen, Tudeh Partisi’ne hi\u00e7bir zaman kat\u0131lmam\u0131\u015ft\u0131r.<\/p>\n

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\"Sad\u0131kSava\u015f\u0131n, Umutsuzlu\u011fun ve \u00c7aresizli\u011fin Sonu<\/h2>\n

Sava\u015f\u0131n sona ermesinden ve K\u00fcrdistan ve Azerbaycan meselelerinin ortaya \u00e7\u0131kmas\u0131ndan sonra , Hidayet de kitlelerden hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011frad\u0131 ve durum hakk\u0131nda giderek daha fazla k\u00f6t\u00fcmserle\u015fti.\u00a0 Durum hakk\u0131ndaki k\u00f6t\u00fcmserli\u011fi, Jamalzadeh ve Shahid Nouraei’ye yazd\u0131\u011f\u0131 mektuplarda g\u00f6r\u00fcl\u00fcr . Payam Yazdanjo’ya g\u00f6re , bu y\u0131llarda Hidayet, hurafelere, otoriterli\u011fe kar\u015f\u0131 duru\u015fu ve ayd\u0131nlanma sayesinde \u0130ran’\u0131n yeniden do\u011fu\u015funa dair umudunu ve \u0130ranl\u0131lar\u0131n b\u00fcy\u00fckl\u00fc\u011f\u00fcne olan arzusunu kaybetmi\u015fti.<\/p>\n

1947’de Top Marvari’yi yazmaya ba\u015flad\u0131 , ancak bu eser \u00f6l\u00fcm\u00fcnden sonra yay\u0131nland\u0131. Top Marvari’nin de yay\u0131nland\u0131\u011f\u0131 en \u00fcnl\u00fc takma ad\u0131 Hadi Sedaghat’t\u0131r. 1948’de Kafka’n\u0131n Mahkum kitab\u0131na giri\u015f olarak “Kafka’n\u0131n Mesaj\u0131” adl\u0131 makaleyi yazd\u0131 ve Hasan Ghaemian taraf\u0131ndan \u00e7evrildi. 1949’da Hasan Ghaemian’\u0131n yard\u0131m\u0131yla Kafka’n\u0131n “D\u00f6n\u00fc\u015f\u00fcm” \u00f6yk\u00fcs\u00fcn\u00fc \u00e7evirdi ve Sokhan dergisinde yay\u0131nlad\u0131. Ayn\u0131 y\u0131l\u0131n 12 Aral\u0131k’\u0131nda, vize almak i\u00e7in sa\u011fl\u0131k raporu ald\u0131ktan ve kitaplar\u0131n\u0131 satt\u0131ktan sonra Fransa’ya gitti. Fransa’da kald\u0131\u011f\u0131 s\u00fcre boyunca Hamburg’a gitti ve Londra’ya da gitmeyi denedi , ancak ba\u015far\u0131s\u0131z oldu. Son olarak, 19 Nisan 1955 Pazartesi g\u00fcn\u00fc Paris’teki Champenoise Caddesi’ndeki kiral\u0131k dairesinde gazla intihar etti .\u00a0 \u0130ntihar eden ilk \u0130ranl\u0131 yazar ve yazar olarak kabul edilir. \u0130ntihar\u0131ndan birka\u00e7 g\u00fcn \u00f6nce, yay\u0131mlanmam\u0131\u015f \u00f6yk\u00fclerinin \u00e7o\u011funu yok etmi\u015fti. Hedayat, Paris’teki P\u00e8re Lachaise Mezarl\u0131\u011f\u0131’na defnedildi . Cenazesine az say\u0131da \u0130ranl\u0131 ve Frans\u0131z kat\u0131ld\u0131.<\/p>\n

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\"Sad\u0131kSad\u0131k Hidayet’in evi<\/h2>\n

sad\u0131k hidayet ‘in evi Tahran’da, Sadi Caddesi \u00fczerinde, Manouchehri Caddesi’nin yukar\u0131s\u0131nda, Amir A’lam Hastanesi’nin g\u00fcneybat\u0131 taraf\u0131nda, Shahid Taghavi Caddesi’nde (Hedayat Caddesi), No. 3’te, Danimarka B\u00fcy\u00fckel\u00e7isi’nin evinin yan\u0131nda bulunmaktad\u0131r.\u00a0 S\u00f6z konusu ev sad\u0131k hidayet ‘in babas\u0131 taraf\u0131ndan in\u015fa edilmi\u015f olup , binan\u0131n \u015fekli ve yap\u0131s\u0131 Ka\u00e7ar d\u00f6neminin sonlar\u0131na dayanmaktad\u0131r . 1970’lerde, Farah Pehlevi’nin ofisi , s\u00e2d\u0131k hid\u00e2yet ‘in babas\u0131n\u0131n evini sat\u0131n alm\u0131\u015f ve hayatta kalanlardan ki\u015fisel e\u015fyalar\u0131n\u0131 toplayarak sad\u0131k hidayet i\u00e7in bir m\u00fczeye d\u00f6n\u00fc\u015ft\u00fcrm\u00fc\u015ft\u00fcr . Bu , 1979 \u0130ran Devrimi’nden sonra yap\u0131lmam\u0131\u015ft\u0131r . Yeni h\u00fck\u00fcmet m\u00fclke el koymu\u015f ve Tahran T\u0131p Bilimleri \u00dcniversitesi’ne vermi\u015ftir . Daha sonra “Sadeghiyeh Anaokulu” \u00e7al\u0131\u015fanlar\u0131 i\u00e7in anaokulu olarak kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Bina, en sonunda 16 Kas\u0131m 1999’da 2491 numaras\u0131yla \u0130ran Ulusal An\u0131tlar Siciline kaydedildi . 2002’de, Hedayat’\u0131n ye\u011feni Jahangir Hedayat ve di\u011ferleri, evin T\u0131p Bilimleri \u00dcniversitesi taraf\u0131ndan kullan\u0131lmas\u0131na kar\u015f\u0131 protesto d\u00fczenlediler ve ev anaokulundan k\u00fct\u00fcphaneye d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc. Bu protestolar, ev en sonunda m\u00fczeye d\u00f6n\u00fc\u015ft\u00fcr\u00fclene kadar devam etti.\u00a0 2013’te, Sadegh Hedayat’\u0131n evinin bah\u00e7esi ve arazisi bir hastane at\u0131k depolama tesisine d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc.<\/p>\n

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Sad\u0131k Hidayet Kimdir? S\u00e2d\u0131k Hid\u00e2yet (18 \u015eubat 1281 – 19 Nisan 1330) \u0130ranl\u0131 bir yazar ve \u00e7evirmendi. Hidayet, modern \u0130ran edebiyat\u0131n\u0131n \u00f6nc\u00fclerinden ve \u00f6nde gelen bir entelekt\u00fceldi . Mohammad Ali Jamalzadeh , Bozorg Alavi ve Sadegh Choubak ile birlikte modern \u0130ran edebiyat\u0131n\u0131n babalar\u0131ndan biri olarak kabul edilir . Bir\u00e7ok akademisyen onun K\u00f6r Bayku\u015f adl\u0131 roman\u0131n\u0131 …<\/p>\n","protected":false},"author":5492,"featured_media":3528,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38,70],"tags":[206,194],"class_list":["post-2839","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biyografi","category-iranli-yazarlar","tag-farsca","tag-iran-tr"],"yoast_head":"\n\u0130ranl\u0131 Yazar Sad\u0131k Hidayet Hakk\u0131nda Bilmen Gerekenler<\/title>\n<meta name=\"description\" content=\"\u0130ranl\u0131 Yazar sad\u0131k Hidayet\u2019in hayat\u0131 , edebi tarz\u0131 ve trajik \u00f6l\u00fcm\u00fc hakk\u0131nda kapsaml\u0131 bilgiler. 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