{"id":2791,"date":"2026-02-01T13:26:55","date_gmt":"2026-02-01T13:26:55","guid":{"rendered":"https:\/\/www.izmirtimes.com\/?p=2791"},"modified":"2026-03-13T12:05:38","modified_gmt":"2026-03-13T09:05:38","slug":"iranli-sairler","status":"publish","type":"post","link":"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/","title":{"rendered":"\u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 | \u0130ranl\u0131 \u015eairler"},"content":{"rendered":"

iranl\u0131 \u015fairler<\/strong> , d\u00fcnya edebiyat\u0131nda derin felsefi anlamlar\u060c a\u015fk\u060c mistisizm ve toplumsal ele\u015ftiriyi bir araya getiren g\u00fc\u00e7l\u00fc bir gelene\u011fi temsil eder. \u0130ran \u015fiiri, klasik d\u00f6nemden modern \u00e7a\u011fa kadar hem Do\u011fu hem Bat\u0131 edebiyat\u0131n\u0131 etkilemi\u015f ve evrensel bir miras olu\u015fturmu\u015ftur. Bu yaz\u0131da \u201ciranl\u0131 \u015fairler<\/strong>\u201d oda\u011f\u0131nda, \u0130ran\u2019\u0131n en \u00fcnl\u00fc \u015fairlerinden modern \u0130ran \u015fairlerine kadar kapsaml\u0131 bir bak\u0131\u015f sunulmaktad\u0131r.<\/p>\n

\u26a0\ufe0fEser adlar\u0131, baz\u0131 durumlarda \u00f6zg\u00fcn Fars\u00e7a ba\u015fl\u0131klardan yap\u0131lan \u00e7evirilerdir<\/strong><\/p>\n

\u0130ran’\u0131n En \u00dcnl\u00fc \u015eairi Kimdir?<\/h2>\n

Bu soru tek bir isimle cevaplanmak istense de edebi ger\u00e7eklik biraz daha inat\u00e7\u0131d\u0131r. Uluslararas\u0131 \u00f6l\u00e7ekte Mevl\u00e2n\u00e2 Celaleddin Rumi<\/strong>, \u0130ran\u2019\u0131n en \u00fcnl\u00fc \u015fairi olarak kabul edilir. Ancak \u0130ran edebiyat\u0131n\u0131n farkl\u0131 d\u00f6nemlerinde \u00f6ne \u00e7\u0131kan bir\u00e7ok b\u00fcy\u00fck isim vard\u0131r.<\/p>\n

\u0130ran’\u0131n Milli \u015eairi Kimdir?<\/h2>\n

\u0130ran\u2019da \u201cmilli \u015fair\u201d denildi\u011finde en s\u0131k an\u0131lan isim Firdevsi<\/strong>\u2019dir. \u015eehname<\/em> adl\u0131 eseri, \u0130ran kimli\u011fi, dili ve mitolojisinin temel ta\u015f\u0131 kabul edilir. Firdevsi, Fars\u00e7ay\u0131 Arap etkisinden koruyarak edebi bir direni\u015f sembol\u00fc haline gelmi\u015ftir.<\/p>\n

Firdevsi (940\u20131020)<\/h3>\n

Firdevsi, \u0130ran Milli Kimli\u011finin <\/strong>edebi mimar\u0131 olarak g\u00f6r\u00fcl\u00fcr. Hayat\u0131n\u0131 \u0130ran mitolojisini ve tarihini anlatan \u015eehname<\/em>\u2019yi yazmaya adam\u0131\u015ft\u0131r. Bu eser, yaln\u0131zca bir destan de\u011fil, ayn\u0131 zamanda \u0130ran k\u00fclt\u00fcr\u00fcn\u00fcn yaz\u0131l\u0131 haf\u0131zas\u0131d\u0131r.<\/p>\n

Eserleri:<\/h4>\n
    \n
  • \n

    \u015eehname<\/p>\n<\/li>\n<\/ul>\n

     <\/p>\n

    Klasik D\u00f6nem \u0130ranl\u0131 \u015eairler<\/h2>\n

    Mevl\u00e2n\u00e2 Celaleddin Rumi (1207\u20131273)<\/h3>\n

    Rumi<\/strong>, tasavvufi \u015fiiri evrensel bir dile d\u00f6n\u00fc\u015ft\u00fcren en etkili iranl\u0131 \u015fairler aras\u0131nda yer al\u0131r. \u015eiirlerinde a\u015fk, Tanr\u0131, insan ve varolu\u015f temalar\u0131 \u00f6n plandad\u0131r. G\u00fcn\u00fcm\u00fczde en \u00e7ok okunan \u015fairlerden biridir.<\/p>\n

    Mevlana hangi \u00fclkeye ait?<\/h4>\n

    Mevl\u00e2n\u00e2 Celaleddin Rumi<\/strong>, 1207 y\u0131l\u0131nda bug\u00fcnk\u00fc Afganistan s\u0131n\u0131rlar\u0131<\/strong> i\u00e7inde yer alan Belh (Balkh)<\/strong> \u015fehrinde do\u011fmu\u015ftur. Hayat\u0131n\u0131n b\u00fcy\u00fck b\u00f6l\u00fcm\u00fcn\u00fc Anadolu\u2019da ge\u00e7irmi\u015f, Konya\u2019y\u0131 manevi merkezi haline getirmi\u015f ve burada vefat etmi\u015ftir. G\u00fcn\u00fcm\u00fcz T\u00fcrkiye<\/strong> k\u00fclt\u00fcr\u00fcnde Mevl\u00e2n\u00e2, Anadolu tasavvuf gelene\u011finin en \u00f6nemli temsilcilerinden biri olarak kabul edilir ve T\u00fcrk k\u00fclt\u00fcrel miras\u0131n\u0131n ayr\u0131lmaz bir par\u00e7as\u0131d\u0131r. Bununla birlikte Mevl\u00e2n\u00e2\u2019n\u0131n edebi eserlerinin b\u00fcy\u00fck b\u00f6l\u00fcm\u00fc Fars\u00e7a kaleme al\u0131nm\u0131\u015ft\u0131r ve \u015fiir dili klasik \u0130ran-Fars edebiyat\u0131 gelene\u011fine dayan\u0131r. Bu y\u00f6n\u00fcyle Mevl\u00e2n\u00e2, tek bir ulusa veya dile indirgenemeyecek, s\u0131n\u0131rlar\u0131 a\u015fan evrensel bir d\u00fc\u015f\u00fcn\u00fcr ve \u015fair olarak de\u011ferlendirilir. Onun \u00f6\u011fretisi, Anadolu<\/strong>, \u0130ran<\/strong> ve \u0130slam D\u00fcnyas\u0131n\u0131n<\/strong> Ortak K\u00fclt\u00fcrel Miras\u0131d\u0131r.<\/strong><\/p>\n

    Eserleri:<\/h4>\n
      \n
    • Mesnevi<\/li>\n
    • Div\u00e2n-\u0131 Keb\u00eer<\/li>\n
    • F\u00eehi M\u00e2 F\u00eeh<\/li>\n<\/ul>\n
      \n

      Haf\u0131z-\u0131 \u015eirazi (1315\u20131390)<\/h3>\n

      Haf\u0131z-\u0131 \u015eirazi<\/strong>, \u0130ran edebiyat\u0131n\u0131n en \u00f6nemli gazel \u015fairlerinden biridir ve eserleri yaln\u0131zca edebi de\u011fil, k\u00fclt\u00fcrel ve toplumsal bir i\u015flev de ta\u015f\u0131r. \u015eiirlerinde a\u015fk, kader, ilahi ironi ve insan\u0131n i\u00e7 \u00e7eli\u015fkileri ince bir sembolizmle i\u015flenmi\u015ftir. Haf\u0131z\u2019\u0131n dili \u00e7ok katmanl\u0131d\u0131r\u061b ayn\u0131 beyit hem d\u00fcnyevi hem de tasavvufi anlamlar bar\u0131nd\u0131rabilir.<\/p>\n

      Haf\u0131z-\u0131 \u015eirazi, \u0130ran k\u00fclt\u00fcr\u00fcnde yaln\u0131zca bir \u015fair olarak de\u011fil, ayn\u0131 zamanda \u201cFal-\u0131 Haf\u0131z\u201d<\/strong> gelene\u011finin merkezindeki fig\u00fcr olarak da ya\u015far. \u0130ran\u2019da \u00f6nemli g\u00fcnlerde, \u00f6zellikle Nowruz<\/strong>, Yalda Gecesi<\/strong> ve ki\u015fisel karars\u0131zl\u0131k anlar\u0131nda, Haf\u0131z Divan\u0131 rastgele a\u00e7\u0131larak fal tutulur. Okunan gazelin, ki\u015finin niyetine dair sembolik bir rehber sundu\u011funa inan\u0131l\u0131r.<\/p>\n

      Eserleri:<\/h4>\n
        \n
      • \n

        Divan-\u0131 Haf\u0131z<\/p>\n<\/li>\n<\/ul>\n

        \n

        Sadi-i \u015eirazi (1210\u20131292)<\/h3>\n

        Sadi-i \u015eirazi<\/strong>, \u0130ran edebiyat\u0131nda bilgelik, ahlak ve insan do\u011fas\u0131n\u0131 en sade ve evrensel bi\u00e7imde ifade eden iranl\u0131 \u015fairler aras\u0131nda yer al\u0131r. \u015eiraz\u2019da do\u011fan Sadi, gen\u00e7 ya\u015fta Ba\u011fdat\u2019a giderek Nizamiye Medresesi\u2019nde e\u011fitim g\u00f6rm\u00fc\u015f, ard\u0131ndan uzun y\u0131llar boyunca Orta Do\u011fu, Orta Asya, Hindistan ve Anadolu\u2019yu kapsayan geni\u015f bir co\u011frafyada seyahat etmi\u015ftir. Bu yolculuklar, onun eserlerine derin bir insan g\u00f6zlemi ve evrensel bir bak\u0131\u015f kazand\u0131rm\u0131\u015ft\u0131r.<\/p>\n

        Eserleri:<\/h4>\n
          \n
        • Bostan<\/li>\n
        • G\u00fclistan<\/li>\n<\/ul>\n

           <\/p>\n

          Modern \u0130ran \u015eairleri<\/h2>\n

           <\/p>\n

          \"Fatemeh<\/p>\n

          Fatemeh Ekhtesari (1986\u2013 )<\/h3>\n
          \n

          \u0130ranl\u0131 \u00e7a\u011fda\u015f kad\u0131n \u015fairdir. G\u00fcn\u00fcm\u00fcz \u0130ran \u015fiirinin en tart\u0131\u015fmal\u0131 ve ayk\u0131r\u0131 isimlerinden biri olarak kabul edilir. \u015eiiri a\u00e7\u0131k bi\u00e7imde politik, feminist ve sistem ele\u015ftirisi i\u00e7eren bir \u00e7izgide ilerler. Metinlerinde bilin\u00e7li bir sertlik, do\u011frudanl\u0131k ve okuru rahats\u0131z etmeyi ama\u00e7layan bir dil h\u00e2kimdir.<\/p>\n

          \u0130ran\u2019daki sans\u00fcr, bask\u0131 ve yarg\u0131 s\u00fcre\u00e7leri nedeniyle uzun s\u00fcre kamusal alanda hedef al\u0131nm\u0131\u015f; bu ko\u015fullar sonucunda \u00fclke d\u0131\u015f\u0131nda ya\u015famaya zorlanm\u0131\u015ft\u0131r. \u015eiirleri bireysel deneyim ile toplumsal bask\u0131 aras\u0131ndaki gerilimi merkezine al\u0131r ve \u00f6zellikle kad\u0131n bedeni, iktidar, \u00f6zg\u00fcrl\u00fck ve dilin politik do\u011fas\u0131 \u00fczerine yo\u011funla\u015f\u0131r.<\/p>\n

          Eserleri:<\/strong><\/p>\n

            \n
          • Bir Kad\u0131n\u0131n \u00c7ocuklu\u011fu<\/li>\n
          • Siyasi A\u015fk<\/li>\n
          • G\u00f6zlerin Kapal\u0131 Uyuyorsun<\/li>\n<\/ul>\n

             <\/p>\n

            \"Garous<\/p>\n

            Garous Abdolmalekian (1980\u2013 )<\/h3>\n
            \n

            Yeni ku\u015fak iranl\u0131 \u015fairler aras\u0131nda uluslararas\u0131 alanda en \u00e7ok tan\u0131nan isimlerden biridir. Minimalist dili\u060c k\u0131sa ve yo\u011fun dizeleriyle \u00e7a\u011fda\u015f \u0130ran \u015fiirini temsil eder. \u015eiirleri bir\u00e7ok dile \u00e7evrilmi\u015ftir.<\/p>\n

            Eserleri:<\/h4>\n
              \n
            • D\u00fcnyan\u0131n Isl\u0131\u011f\u0131<\/li>\n
            • Hi\u00e7bir \u015eeyin Ortas\u0131nda<\/li>\n
            • Taze Yaralar<\/li>\n<\/ul>\n

               <\/p>\n

              \"Pegah<\/p>\n

              Pegah Ahmadi (1974, Tahran do\u011fumlu)<\/h3>\n
              \n

              Pegah Ahmadi, \u0130ranl\u0131 \u015fair, edebiyat ele\u015ftirmeni ve \u015fiir \u00e7evirmenidir. K\u00fc\u00e7\u00fck ya\u015flardan itibaren \u015fiire ilgi duymu\u015f, ilk \u015fiiri on yedi ya\u015f\u0131ndayken d\u00f6nemin \u00f6nemli edebiyat dergilerinden Takapu<\/em>\u2019da yay\u0131mlanm\u0131\u015ft\u0131r.<\/p>\n

              \u0130lk \u015fiir kitab\u0131 Son Sol Tel \u00dczerine<\/em> 1990\u2019l\u0131 y\u0131llar\u0131n sonunda \u0130ran\u2019da yay\u0131mlanm\u0131\u015f ve \u015fairler ile edebiyat ele\u015ftirmenleri taraf\u0131ndan olumlu tepkiler alm\u0131\u015ft\u0131r. Tahran \u0130slami Azad \u00dcniversitesi\u2019nde Fars Dili ve Edebiyat\u0131 lisans e\u011fitimini tamamlayan Ahmadi, \u0130ran\u2019da \u201c1990\u2019lar ku\u015fa\u011f\u0131\u201d olarak an\u0131lan \u015fiir hareketinin \u00f6ne \u00e7\u0131kan isimlerinden biri kabul edilir.<\/p>\n

              Bug\u00fcne kadar Fars\u00e7a ve Almanca dillerinde yay\u0131mlanm\u0131\u015f bir\u00e7ok \u015fiir kitab\u0131n\u0131n yan\u0131 s\u0131ra edebi ele\u015ftiri ve incelemeler, \u00e7e\u015fitli \u00e7eviriler ve \u0130ranl\u0131 kad\u0131n \u015fairler \u00fczerine kaleme ald\u0131\u011f\u0131 bir telif \u00e7al\u0131\u015fmas\u0131 bulunmaktad\u0131r. \u015eiirleri ayr\u0131ca Fars\u00e7a ve farkl\u0131 dillerde yay\u0131mlanan \u00e7ok say\u0131da antolojide yer alm\u0131\u015ft\u0131r.<\/p>\n

              Ahmadi, 2009 y\u0131l\u0131nda Almanya PEN Merkezi\u2019nin davetiyle Almanya\u2019ya gitmi\u015f, daha sonra Brown \u00dcniversitesi\u2019nin davetiyle Amerika Birle\u015fik Devletleri\u2019nde edebi ara\u015ft\u0131rmalar\u0131n\u0131 s\u00fcrd\u00fcrm\u00fc\u015ft\u00fcr. Halen Almanya\u2019da ya\u015famaktad\u0131r.<\/p>\n

              Eserleri:<\/strong><\/p>\n

                \n
              • Son Sol Tel \u00dczerine (1999, Tahran)<\/li>\n
              • Kadans (2001, Tahran)<\/li>\n
              • Bu G\u00fcnlerim Bir Bo\u011faz (2003, Tahran)<\/li>\n
              • Ev \u0130\u00e7i Duvara D\u00fc\u015f\u00fclm\u00fc\u015f Notlar (2004, Paris)<\/li>\n
              • \u00dc\u015f\u00fcm\u00fcyordum (2010, Almanya \u2013 Fars\u00e7a\/Almanca iki dilli bask\u0131)<\/li>\n
              • Yo\u011funluk (2018, Paris \u2013 Fars\u00e7a\/Almanca iki dilli bask\u0131)<\/li>\n
              • Demek Gelecek Buydu (2024, Almanya \u2013 Almanca)<\/li>\n<\/ul>\n

                 <\/p>\n

                \"Shams<\/p>\n

                \u015eams Langroudi (1950\u2013 )<\/h3>\n
                \n

                \u015eams Langroudi (Muhammad Shams Langroudi), \u00e7a\u011fda\u015f \u0130ran \u015fiirinin en \u00f6nemli ve etkili isimlerinden biridir. 17 Kas\u0131m 1950\u2019de \u0130ran\u2019\u0131n Langarud kentinde do\u011fmu\u015ftur. Ekonomi ve i\u015fletme e\u011fitimi almas\u0131na ra\u011fmen, 1970\u2019li y\u0131llardan itibaren \u015fiirle ciddi bi\u00e7imde ilgilenmi\u015f ve k\u0131sa s\u00fcrede modern Fars \u015fiirinde kendine \u00f6zg\u00fc bir ses olarak \u00f6ne \u00e7\u0131km\u0131\u015ft\u0131r. \u015eiirlerinde g\u00fcndelik hayat, melankoli, bireysel yaln\u0131zl\u0131k ve varolu\u015fsal sorgulamalar \u00f6nemli bir yer tutar.<\/p>\n

                Langroudi yaln\u0131zca \u015fair de\u011fil, ayn\u0131 zamanda edebiyat tarih\u00e7isi, ara\u015ft\u0131rmac\u0131, oyuncu ve m\u00fczisyendir. \u0130ran\u2019da sanat tarihi dersleri vermi\u015f, sinema ve m\u00fczik alanlar\u0131nda da \u00fcretimlerde bulunmu\u015ftur. Onlarca \u015fiir kitab\u0131 yay\u0131mlayan Langroudi, \u00f6zellikle 2000 sonras\u0131 \u0130ran \u015fiirinin y\u00f6n\u00fcn\u00fc belirleyen fig\u00fcrlerden biri olarak kabul edilir.<\/p>\n

                Eserleri:<\/h4>\n
                  \n
                • Susuzlu\u011fun Davran\u0131\u015f\u0131 (Raft\u00e2r-e Tashnegi)<\/li>\n
                • D\u00fcnyan\u0131n Ay I\u015f\u0131\u011f\u0131nda<\/li>\n
                • K\u00fcl ve Kad\u0131n<\/li>\n
                • Y\u0131rt\u0131k G\u00fcl\u00fcmsemenin Kasidesi<\/li>\n
                • Tahta B\u00fclb\u00fcl \u0130\u00e7in Notalar<\/li>\n
                • Elli \u00dc\u00e7 A\u015fk \u015eark\u0131s\u0131<\/li>\n
                • Cehennemin Bah\u00e7\u0131van\u0131<\/li>\n
                • H\u00e2l\u00e2 Ya\u015f\u0131yor Olma Su\u00e7undan \u00d6lece\u011fim<\/li>\n
                • Gece Kamusal Bir Maskedir<\/li>\n
                • Kanats\u0131z Bir Mele\u011fin \u015eark\u0131lar\u0131<\/li>\n
                • G\u00fcn\u00fcn Dengesi Parmaklar\u0131mda<\/li>\n
                • M\u00fczik Kitab\u0131<\/li>\n
                • Beyaz Tren<\/li>\n
                • Sahte Bir Pasaportla Dans<\/li>\n<\/ul>\n

                   <\/p>\n

                  \"Ali<\/p>\n

                  Ali Babachahi (1942\u2013 )<\/h3>\n
                  \n

                  Ali Babachahi, \u00e7a\u011fda\u015f \u0130ran edebiyat\u0131n\u0131n en etkili \u015fair, yazar ve edebiyat ele\u015ftirmenlerinden biridir. \u0130ran\u2019\u0131n Bu\u015fehr kentinde do\u011fmu\u015ftur ve edebiyata erken ya\u015fta y\u00f6nelmi\u015ftir. 1960\u2019lar\u0131n sonlar\u0131ndan itibaren \u015fiirleri yay\u0131mlanmaya ba\u015flam\u0131\u015f, zamanla hem modern hem de postmodern \u0130ran \u015fiirinin kuramsal ve estetik tart\u0131\u015fmalar\u0131nda merkezi bir fig\u00fcr h\u00e2line gelmi\u015ftir. Uzun y\u0131llar edebiyat dergilerinde edit\u00f6rl\u00fck yapm\u0131\u015f, \u015fiir at\u00f6lyeleri y\u00fcr\u00fctm\u00fc\u015f ve akademik \u00e7al\u0131\u015fmalarda bulunmu\u015ftur.<\/p>\n

                  Babachahi\u2019nin \u015fiiri, dili ve anlat\u0131y\u0131 bilin\u00e7li bi\u00e7imde par\u00e7alayarak okuru aktif bir kat\u0131l\u0131mc\u0131ya d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. Deneysel yakla\u015f\u0131m\u0131, kavramsal yo\u011funlu\u011fu ve bi\u00e7imsel cesaretiyle \u0130ran \u015fiirinde postmodern e\u011filimlerin \u00f6nc\u00fclerinden say\u0131l\u0131r. Yakla\u015f\u0131k otuz \u015fiir kitab\u0131n\u0131n yan\u0131 s\u0131ra \u00e7ok say\u0131da ele\u015ftirel ve ara\u015ft\u0131rma eseri yay\u0131mlam\u0131\u015f, \u015fiirleri farkl\u0131 dillere \u00e7evrilmi\u015ftir.<\/p>\n

                  Eserleri:<\/h4>\n
                    \n
                  • Desteksiz Bir Yer\u2019de (In the Supportless Place)<\/li>\n
                  • D\u00fcnyan\u0131n H\u00fcz\u00fcnl\u00fc I\u015f\u0131klar\u0131 (World and Its Sad Lights)<\/li>\n
                  • G\u00fcne\u015fin Neslinden (From the Generation of the Sun)<\/li>\n
                  • Kumun Sesi (The Sound of Sand)<\/li>\n
                  • Topra\u011f\u0131m\u0131zdan Do\u011fan G\u00fcne\u015f (The Sun Rises from Our Soil)<\/li>\n
                  • Denizcilerin Sesleri (The Voices of Seafarers)<\/li>\n
                  • \u0130\u015faretsiz Deniz Yurtlar\u0131 (Sea Dwellings Without Signs)<\/li>\n
                  • \u00c7iseleyen Ya\u011fmur (Drizzle Rain)<\/li>\n
                  • Zihnim Bana \u0130\u015fkence Ediyor (My Mind Torments Me)<\/li>\n
                  • \u015e\u00fcpheli Y\u00fcz\u00fcm (My Face, Which Is Highly Suspicious)<\/li>\n<\/ul>\n

                     <\/p>\n

                    \"Nima<\/p>\n

                    Nima Yu\u015fic (1896\u20131960)<\/h3>\n
                    \n

                    Nima Yu\u015fic (as\u0131l ad\u0131 Ali Esfandiari), modern \u0130ran \u015fiirinin kurucusu<\/strong> olarak kabul edilir. Klasik Fars \u015fiirinin kat\u0131 \u00f6l\u00e7\u00fc ve kal\u0131plar\u0131n\u0131 k\u0131rarak, daha serbest ritimlere ve de\u011fi\u015fken dizelere dayanan Nim\u00e2\u00ee \u015fiir<\/em> anlay\u0131\u015f\u0131n\u0131 geli\u015ftirmi\u015ftir. Bu yakla\u015f\u0131m, 20. y\u00fczy\u0131l \u0130ran edebiyat\u0131nda k\u00f6kl\u00fc bir d\u00f6n\u00fc\u015f\u00fcm yaratm\u0131\u015f ve modern \u015fiirin \u00f6n\u00fcn\u00fc a\u00e7m\u0131\u015ft\u0131r.<\/p>\n

                    Ba\u015flang\u0131\u00e7ta gelenek\u00e7i \u00e7evrelerden yo\u011fun ele\u015ftiri alsa da, zamanla yenilik\u00e7i dili ve toplumsal duyarl\u0131l\u0131\u011f\u0131yla b\u00fcy\u00fck etki yaratm\u0131\u015ft\u0131r. \u015eiirlerinde do\u011fa, toplum, yaln\u0131zl\u0131k ve insan\u0131n varolu\u015fsal gerilimi \u00f6ne \u00e7\u0131kar. 1960 y\u0131l\u0131nda Tahran\u2019da vefat etmi\u015f, vasiyeti \u00fczerine do\u011fdu\u011fu Yu\u015f k\u00f6y\u00fcne defnedilmi\u015ftir.<\/p>\n

                    Eserleri:<\/h4>\n
                      \n
                    • Afsaneh<\/li>\n
                    • Ey Shab<\/li>\n
                    • Quqn\u016bs<\/li>\n
                    • Ghor\u0101b<\/li>\n
                    • Manali<\/li>\n
                    • Mahb\u016bs<\/li>\n<\/ul>\n

                       <\/p>\n

                      \"Parvin<\/p>\n

                      Pervin Etesami (1907\u20131941)<\/h3>\n
                      \n

                      Parvin Etesami, \u0130ran edebiyat\u0131nda klasik \u015fiir gelene\u011fini modern bir ahlaki ve toplumsal duyarl\u0131l\u0131kla birle\u015ftiren en \u00f6nemli kad\u0131n \u015fairlerden biridir. Tebriz\u2019de do\u011fmu\u015f, edebiyat ve d\u00fc\u015f\u00fcnceyle i\u00e7 i\u00e7e bir aile ortam\u0131nda yeti\u015fmi\u015ftir. Babas\u0131 Yusuf Etesami, d\u00f6nemin tan\u0131nm\u0131\u015f entelekt\u00fcellerindendi ve bu \u00e7evre Parvin\u2019in \u015fiir dilini erken ya\u015fta \u015fekillendirmi\u015ftir.<\/p>\n

                      K\u0131sa ya\u015fam\u0131na ra\u011fmen \u015fiirlerinde ahlak, adalet, insan\u0131n i\u00e7 \u00e7at\u0131\u015fmalar\u0131, kad\u0131n kimli\u011fi ve toplumsal e\u015fitsizlik gibi temalar\u0131 g\u00fc\u00e7l\u00fc alegoriler ve diyaloglar arac\u0131l\u0131\u011f\u0131yla i\u015flemi\u015ftir. Klasik bi\u00e7imleri korurken i\u00e7erikte ele\u015ftirel ve sorgulay\u0131c\u0131 bir ton geli\u015ftirmesi, onu modern \u0130ran \u015fiirinin \u00f6nc\u00fc kad\u0131n seslerinden biri h\u00e2line getirmi\u015ftir.<\/p>\n

                      Eserleri:<\/h4>\n
                        \n
                      • \n

                        Div\u0101n-e Parvin Etesami<\/p>\n<\/li>\n<\/ul>\n

                         <\/p>\n

                        \"Forough<\/p>\n

                        Forough Farrokhzad (1935\u20131967)<\/h3>\n
                        \n

                        Forough Farrokhzad, modern \u0130ran \u015fiirinin en etkili ve en tart\u0131\u015fmal\u0131 fig\u00fcrlerinden biridir. K\u0131sa ya\u015fam\u0131na ra\u011fmen, \u00f6zellikle kad\u0131n kimli\u011fi, bireysel \u00f6zg\u00fcrl\u00fck, a\u015fk ve varolu\u015f temalar\u0131n\u0131 \u015fiirin merkezine ta\u015f\u0131yarak \u0130ran edebiyat\u0131nda k\u00f6kl\u00fc bir d\u00f6n\u00fc\u015f\u00fcm yaratm\u0131\u015ft\u0131r. \u015eiiri, geleneksel ahlaki ve toplumsal normlara a\u00e7\u0131k bir meydan okuma niteli\u011fi ta\u015f\u0131r.<\/p>\n

                        Ki\u015fisel olan\u0131 politik ve varolu\u015fsal olanla birle\u015ftiren dili, 20. y\u00fczy\u0131l \u0130ran \u015fiirinde bir k\u0131r\u0131lma noktas\u0131 kabul edilir. Farrokhzad, hem \u015fiirsel yenili\u011fi hem de cesur s\u00f6ylemiyle modern \u0130ran edebiyat\u0131n\u0131n en etkili kad\u0131n seslerinden biri olarak kal\u0131c\u0131 bir iz b\u0131rakm\u0131\u015ft\u0131r.<\/p>\n

                        Eserleri:<\/h4>\n
                          \n
                        • Esir<\/li>\n
                        • Duvar<\/li>\n
                        • \u0130syan<\/li>\n
                        • Yeniden Do\u011fu\u015f<\/li>\n
                        • \u0130nanal\u0131m So\u011fuk Mevsimin Ba\u015flang\u0131c\u0131na<\/li>\n<\/ul>\n

                           <\/p>\n

                          \"Sohrab<\/h2>\n

                          Sohrab Sepehri (1928\u20131980)<\/h3>\n
                          \n

                          Sohrab Sepehri, modern \u0130ran \u015fiirinin en \u00f6zg\u00fcn ve etkili isimlerinden biridir. \u015eiirlerinde do\u011fa, yaln\u0131zl\u0131k, sessizlik ve i\u00e7sel aray\u0131\u015f temel izleklerdir. Minimalist dili ve mistik-felsefi yakla\u015f\u0131m\u0131yla, \u0130ran \u015fiirinde g\u00fcr\u00fclt\u00fcden uzak, derinlikli bir hat a\u00e7m\u0131\u015ft\u0131r.<\/p>\n

                          Sepehri\u2019nin \u015fiiri Do\u011fu d\u00fc\u015f\u00fcncesi, \u00f6zellikle Budizm ve \u0130ran tasavvufundan izler ta\u015f\u0131r. \u0130nsanla do\u011fa aras\u0131ndaki s\u0131n\u0131rlar\u0131 bulan\u0131kla\u015ft\u0131ran bu yakla\u015f\u0131m, onu \u00e7a\u011fda\u015flar\u0131 aras\u0131nda ayr\u0131ks\u0131 ve kal\u0131c\u0131 bir konuma yerle\u015ftirir.<\/p>\n

                          Eserleri:<\/h4>\n
                            \n
                          • Sekiz Kitap<\/li>\n
                          • Suyun Ayak Sesi<\/li>\n<\/ul>\n

                             <\/p>\n

                            \u0130ran\u2019\u0131n \u00dcnl\u00fc Ki\u015fileri Kimlerdir?<\/strong><\/h2>\n

                            \u0130ran, yaln\u0131zca \u015fairleriyle de\u011fil; filozoflar\u0131, sinemac\u0131lar\u0131 ve farkl\u0131 sanat dallar\u0131ndaki yarat\u0131c\u0131 fig\u00fcrleriyle de tan\u0131nan k\u00f6kl\u00fc bir k\u00fclt\u00fcre sahiptir. Bununla birlikte edebiyat alan\u0131nda Firdevsi, Mevl\u00e2n\u00e2 Celaleddin Rumi, Haf\u0131z ve modern d\u00f6nemde Forough Farrokhzad gibi isimler, \u0130ran\u2019\u0131n k\u00fclt\u00fcrel ve d\u00fc\u015f\u00fcnsel kimli\u011fini en g\u00fc\u00e7l\u00fc bi\u00e7imde temsil eden fig\u00fcrler aras\u0131nda yer al\u0131r.<\/p>\n

                            \u0130ranl\u0131 \u015fairler, yaln\u0131zca \u0130ran edebiyat\u0131n\u0131n de\u011fil, d\u00fcnya k\u00fclt\u00fcr miras\u0131n\u0131n da temel yap\u0131 ta\u015flar\u0131ndand\u0131r. Klasik destanlardan modern serbest \u015fiire uzanan bu uzun gelenek, insan\u0131n varolu\u015f, adalet, a\u015fk ve anlam aray\u0131\u015f\u0131na \u015fiir arac\u0131l\u0131\u011f\u0131yla yan\u0131t vermeyi s\u00fcrd\u00fcrmektedir. \u0130ran edebiyat\u0131n\u0131 tan\u0131mak isteyenler i\u00e7in, bu gelene\u011fin merkezinde yer alan \u0130ranl\u0131 \u015fairlerle ba\u015flamak en do\u011fru ve anlaml\u0131 yakla\u015f\u0131md\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"

                            iranl\u0131 \u015fairler , d\u00fcnya edebiyat\u0131nda derin felsefi anlamlar\u060c a\u015fk\u060c mistisizm ve toplumsal ele\u015ftiriyi bir araya getiren g\u00fc\u00e7l\u00fc bir gelene\u011fi temsil eder. \u0130ran \u015fiiri, klasik d\u00f6nemden modern \u00e7a\u011fa kadar hem Do\u011fu hem Bat\u0131 edebiyat\u0131n\u0131 etkilemi\u015f ve evrensel bir miras olu\u015fturmu\u015ftur. Bu yaz\u0131da \u201ciranl\u0131 \u015fairler\u201d oda\u011f\u0131nda, \u0130ran\u2019\u0131n en \u00fcnl\u00fc \u015fairlerinden modern \u0130ran \u015fairlerine kadar kapsaml\u0131 bir bak\u0131\u015f …<\/p>\n","protected":false},"author":5492,"featured_media":3982,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70],"tags":[206,194,189,224],"class_list":["post-2791","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-iranli-yazarlar","tag-farsca","tag-iran-tr","tag-rehber","tag-z-kusagi"],"yoast_head":"\n\u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 | \u0130ranl\u0131 \u015eairler<\/title>\n<meta name=\"description\" content=\"iranli sairler - eski iranl\u0131 \u015fairler - \u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 ve d\u00fcnya edebiyat\u0131nda derin felsefi anlamlar\u0131\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 | \u0130ranl\u0131 \u015eairler\" \/>\n<meta property=\"og:description\" content=\"iranli sairler - eski iranl\u0131 \u015fairler - \u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 ve d\u00fcnya edebiyat\u0131nda derin felsefi anlamlar\u0131\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/\" \/>\n<meta property=\"og:site_name\" content=\"izmir Times\" \/>\n<meta property=\"article:published_time\" content=\"2026-02-01T13:26:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-13T09:05:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.izmirtimes.com\/wp-content\/uploads\/2026\/01\/iranli-sairler-feature.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"784\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Editors Team\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Editors Team\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.izmirtimes.com\\\/tr\\\/iranli-sairler\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.izmirtimes.com\\\/tr\\\/iranli-sairler\\\/\"},\"author\":{\"name\":\"Editors Team\",\"@id\":\"https:\\\/\\\/www.izmirtimes.com\\\/#\\\/schema\\\/person\\\/1cf1a8193ffe9156512a42ffabe0d17f\"},\"headline\":\"\u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 | \u0130ranl\u0131 \u015eairler\",\"datePublished\":\"2026-02-01T13:26:55+00:00\",\"dateModified\":\"2026-03-13T09:05:38+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.izmirtimes.com\\\/tr\\\/iranli-sairler\\\/\"},\"wordCount\":2274,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.izmirtimes.com\\\/tr\\\/iranli-sairler\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.izmirtimes.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/iranli-sairler-feature.webp\",\"keywords\":[\"Fars\u00e7a\",\"Iran\",\"Rehber\",\"Z Ku\u015fa\u011f\u0131\"],\"articleSection\":[\"\u0130ranl\u0131 Yazarlar\"],\"inLanguage\":\"tr-TR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.izmirtimes.com\\\/tr\\\/iranli-sairler\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.izmirtimes.com\\\/tr\\\/iranli-sairler\\\/\",\"url\":\"https:\\\/\\\/www.izmirtimes.com\\\/tr\\\/iranli-sairler\\\/\",\"name\":\"\u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 | \u0130ranl\u0131 \u015eairler\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.izmirtimes.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.izmirtimes.com\\\/tr\\\/iranli-sairler\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.izmirtimes.com\\\/tr\\\/iranli-sairler\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.izmirtimes.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/iranli-sairler-feature.webp\",\"datePublished\":\"2026-02-01T13:26:55+00:00\",\"dateModified\":\"2026-03-13T09:05:38+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.izmirtimes.com\\\/#\\\/schema\\\/person\\\/1cf1a8193ffe9156512a42ffabe0d17f\"},\"description\":\"iranli sairler - eski iranl\u0131 \u015fairler - \u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 ve d\u00fcnya edebiyat\u0131nda derin felsefi anlamlar\u0131\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.izmirtimes.com\\\/tr\\\/iranli-sairler\\\/#breadcrumb\"},\"inLanguage\":\"tr-TR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.izmirtimes.com\\\/tr\\\/iranli-sairler\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"tr-TR\",\"@id\":\"https:\\\/\\\/www.izmirtimes.com\\\/tr\\\/iranli-sairler\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.izmirtimes.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/iranli-sairler-feature.webp\",\"contentUrl\":\"https:\\\/\\\/www.izmirtimes.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/iranli-sairler-feature.webp\",\"width\":1300,\"height\":784,\"caption\":\"\u0130ranl\u0131 \u015eairler\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.izmirtimes.com\\\/tr\\\/iranli-sairler\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"izmir times\",\"item\":\"https:\\\/\\\/www.izmirtimes.com\\\/tr\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 | \u0130ranl\u0131 \u015eairler\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.izmirtimes.com\\\/#website\",\"url\":\"https:\\\/\\\/www.izmirtimes.com\\\/\",\"name\":\"izmir Times\",\"description\":\"News and Everything About Turkey in English\",\"alternateName\":\"izmirtimes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.izmirtimes.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"tr-TR\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.izmirtimes.com\\\/#\\\/schema\\\/person\\\/1cf1a8193ffe9156512a42ffabe0d17f\",\"name\":\"Editors Team\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr-TR\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/aecebac8e6513109ac2f8bab254c67d01934f0c5ecba2df466222224a27195d6?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/aecebac8e6513109ac2f8bab254c67d01934f0c5ecba2df466222224a27195d6?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/aecebac8e6513109ac2f8bab254c67d01934f0c5ecba2df466222224a27195d6?s=96&d=mm&r=g\",\"caption\":\"Editors Team\"},\"url\":\"https:\\\/\\\/www.izmirtimes.com\\\/tr\\\/author\\\/izmirtimes_editor\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"\u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 | \u0130ranl\u0131 \u015eairler","description":"iranli sairler - eski iranl\u0131 \u015fairler - \u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 ve d\u00fcnya edebiyat\u0131nda derin felsefi anlamlar\u0131","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/","og_locale":"tr_TR","og_type":"article","og_title":"\u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 | \u0130ranl\u0131 \u015eairler","og_description":"iranli sairler - eski iranl\u0131 \u015fairler - \u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 ve d\u00fcnya edebiyat\u0131nda derin felsefi anlamlar\u0131","og_url":"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/","og_site_name":"izmir Times","article_published_time":"2026-02-01T13:26:55+00:00","article_modified_time":"2026-03-13T09:05:38+00:00","og_image":[{"width":1300,"height":784,"url":"https:\/\/www.izmirtimes.com\/wp-content\/uploads\/2026\/01\/iranli-sairler-feature.webp","type":"image\/webp"}],"author":"Editors Team","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Editors Team","Est. reading time":"9 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/#article","isPartOf":{"@id":"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/"},"author":{"name":"Editors Team","@id":"https:\/\/www.izmirtimes.com\/#\/schema\/person\/1cf1a8193ffe9156512a42ffabe0d17f"},"headline":"\u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 | \u0130ranl\u0131 \u015eairler","datePublished":"2026-02-01T13:26:55+00:00","dateModified":"2026-03-13T09:05:38+00:00","mainEntityOfPage":{"@id":"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/"},"wordCount":2274,"commentCount":0,"image":{"@id":"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/#primaryimage"},"thumbnailUrl":"https:\/\/www.izmirtimes.com\/wp-content\/uploads\/2026\/01\/iranli-sairler-feature.webp","keywords":["Fars\u00e7a","Iran","Rehber","Z Ku\u015fa\u011f\u0131"],"articleSection":["\u0130ranl\u0131 Yazarlar"],"inLanguage":"tr-TR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/","url":"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/","name":"\u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 | \u0130ranl\u0131 \u015eairler","isPartOf":{"@id":"https:\/\/www.izmirtimes.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/#primaryimage"},"image":{"@id":"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/#primaryimage"},"thumbnailUrl":"https:\/\/www.izmirtimes.com\/wp-content\/uploads\/2026\/01\/iranli-sairler-feature.webp","datePublished":"2026-02-01T13:26:55+00:00","dateModified":"2026-03-13T09:05:38+00:00","author":{"@id":"https:\/\/www.izmirtimes.com\/#\/schema\/person\/1cf1a8193ffe9156512a42ffabe0d17f"},"description":"iranli sairler - eski iranl\u0131 \u015fairler - \u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 ve d\u00fcnya edebiyat\u0131nda derin felsefi anlamlar\u0131","breadcrumb":{"@id":"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/#breadcrumb"},"inLanguage":"tr-TR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/"]}]},{"@type":"ImageObject","inLanguage":"tr-TR","@id":"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/#primaryimage","url":"https:\/\/www.izmirtimes.com\/wp-content\/uploads\/2026\/01\/iranli-sairler-feature.webp","contentUrl":"https:\/\/www.izmirtimes.com\/wp-content\/uploads\/2026\/01\/iranli-sairler-feature.webp","width":1300,"height":784,"caption":"\u0130ranl\u0131 \u015eairler"},{"@type":"BreadcrumbList","@id":"https:\/\/www.izmirtimes.com\/tr\/iranli-sairler\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"izmir times","item":"https:\/\/www.izmirtimes.com\/tr\/"},{"@type":"ListItem","position":2,"name":"\u0130ran Edebiyat\u0131n\u0131n Klasik ve Modern Ustalar\u0131 | \u0130ranl\u0131 \u015eairler"}]},{"@type":"WebSite","@id":"https:\/\/www.izmirtimes.com\/#website","url":"https:\/\/www.izmirtimes.com\/","name":"izmir Times","description":"News and Everything About Turkey in English","alternateName":"izmirtimes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.izmirtimes.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"tr-TR"},{"@type":"Person","@id":"https:\/\/www.izmirtimes.com\/#\/schema\/person\/1cf1a8193ffe9156512a42ffabe0d17f","name":"Editors Team","image":{"@type":"ImageObject","inLanguage":"tr-TR","@id":"https:\/\/secure.gravatar.com\/avatar\/aecebac8e6513109ac2f8bab254c67d01934f0c5ecba2df466222224a27195d6?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/aecebac8e6513109ac2f8bab254c67d01934f0c5ecba2df466222224a27195d6?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/aecebac8e6513109ac2f8bab254c67d01934f0c5ecba2df466222224a27195d6?s=96&d=mm&r=g","caption":"Editors Team"},"url":"https:\/\/www.izmirtimes.com\/tr\/author\/izmirtimes_editor\/"}]}},"_links":{"self":[{"href":"https:\/\/www.izmirtimes.com\/tr\/wp-json\/wp\/v2\/posts\/2791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.izmirtimes.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.izmirtimes.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.izmirtimes.com\/tr\/wp-json\/wp\/v2\/users\/5492"}],"replies":[{"embeddable":true,"href":"https:\/\/www.izmirtimes.com\/tr\/wp-json\/wp\/v2\/comments?post=2791"}],"version-history":[{"count":38,"href":"https:\/\/www.izmirtimes.com\/tr\/wp-json\/wp\/v2\/posts\/2791\/revisions"}],"predecessor-version":[{"id":4018,"href":"https:\/\/www.izmirtimes.com\/tr\/wp-json\/wp\/v2\/posts\/2791\/revisions\/4018"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.izmirtimes.com\/tr\/wp-json\/wp\/v2\/media\/3982"}],"wp:attachment":[{"href":"https:\/\/www.izmirtimes.com\/tr\/wp-json\/wp\/v2\/media?parent=2791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.izmirtimes.com\/tr\/wp-json\/wp\/v2\/categories?post=2791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.izmirtimes.com\/tr\/wp-json\/wp\/v2\/tags?post=2791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}